Wednesday, April 4, 2012

Mandalas in Art

  

 Mandalas in art



Most mandalas found in art were created to reflect religious beliefs. In ancient times mandalas were created to depict visions and beliefs related to an individual's religion.






Native Americans create a mandala in the form of a medicine wheel. The Ancient Aztec calendar is not only used for timekeeping but also an expression of their religious beliefs.

The mandala image is used by Tibetans to expression great religious significance. They also use it in meditation. It is believed that meditating on the symbols within the mandala designs and slowly moving your focus to the center you will find the meaning within. Even the creation of the sand mandala mentioned previously is considered a form of deep meditation. 






Tuesday, April 3, 2012

Second Chakra - Swadhisthan Chakra



The second chakra



"Swadhisthan Chakra: The second chakra is the chakra of creativity, pure attention and pure knowledge. It is the one which connects us to the inner source of inspiration, and enables us to experience the beauty around us. The pure knowledge given by this chakra is not mental, but it is direct perception of the Reality, that can be felt in our palms and indicates our subtle blockages. Also this is the center of pure, steady attention and power of concentration."






 "The second centre is the centre of Swadhisthan. It has six petals and caters on the physical level to functions of the aortic plexus, and is the one which supplies us with the energy of creativity, of thinking, of being futuristic. It supplies Power to the brain cells by converting fat cells into brain cells."

Shri Svadhisthananambuja-gata Devi




The Swadhisthan Chakra is suspended on a chord from the Nabhi Chakra, and moves around the Void area. When the Kundalini rises, it passes into the Nabhi Chakra first and then along the chord to enlighten the Swadhisthan before returning to the Nabhi Chakra to continue the journey to the crown of the head.
In the course of evolution, humans translated his need for shelter and security into the building of homes. As his sense of aesthetics developed he continued to improve on these forms of shelter (until eventually architecture came about). This creativity evolved into abstract form, where he could imagine, project and create an image which had no previous counterpart. From this burgeoning aestheticism came the creative arts.

The fundamental quality of the Swadhisthan Chakra is that of creativity. It is here that the energy for our creativity is generated. After Self-Realization we discover that the true key to creativity is in achieving the state of thoughtless awareness (nirvichara samadhi) through meditation.
From this we discover that all the beauty of Creation is reflected within us like a still and silent lake. Once we locate this pool of beauty we can become the channel for it. We become the Collective Unconscious, without ego to distort the purity of art.

The process of creativity in whatever form draws on the qualities of the Swadhisthan Chakra. If this process is accomplished in a balanced state (i.e., using the energies of the central or Sushumna channel in the subtle system) then the result is spiritually enhanced. After Self-Realization this is emphasized, and the resulting creation can become an inspired work. We can see this by looking at the classic works from artists of the past such as Mozart and Michaelangelo who were born as evolved realized souls. Works of this quality are immortal, and provide joy and beauty which define a whole epoch.

However in the modern process, we can see that even where the artistic endeavor starts out ‘with heart,’ there is a tendency for the artist to produce later works which are flat, lifeless or even exploitative. The primary cause of this tendency is the ego of the artist. As the artist becomes more successful, he or she works harder to maintain or grow this success. This requires more exhaustive use of the right channel (the Pingala Nadi or Channel of Action). A by-product of this channel becoming exhausted is that the ego of the artist becomes inflated. Note that in subtle terms the ego is actually situated at the end of the action channel (in the balloon-like shape on the left-hand side of the head). If one is confused by an inflated ego, the excessiveness drains the central channel of energy and exhausts the right side. In addition, the connection with the ego can take the attention away from the Spirit. As the artist starts to believe that he is the creator of all his works (thus eliminating divine inspiration) the process is accelerated and the ego expands to such an extent that the spiritual content of the work is removed completely.

The Spirit, which resides in our heart, is the real reservoir of creativity, and artists and people who think excessively or are obsessed with fame or success will usually suffer a weak Swadhisthan Chakra and tend to be off-balance personalities. Their ambition is to be superior to others or to be acclaimed by them for their talents comes from their ego, which is connected to the right-side of the Swadhisthan Chakra through the right channel. Their spontaneity is lost in this ambitious and competitive effort to create, and this explains why most modern creation in any aspect lacks Spirit.

 The presiding deity for the Swadhisthan Chakra is Shri Brahmadeva. He represents the Creator, and has as His power Shri Saraswati, who is the Goddess of music and arts. He bestows purity, creativity, Pure Knowledge, and cuts the Knot of Maya (material attachment) and frees the seeker from earthly desires. "All these desires lead you ultimately to a destruction, because there’s no Joy, there’s no happiness. For example now I want to have a sari, so I want to buy the sari all my attention will be how will I get that sari, I must get that sari, this thing, that thing the attention becomes polluted, disturbed for a nonsensical thing like sari, the attention which has to enjoy the spirit which has to nourish the Spirit becomes disturbed because of desires.
In the first place attention is disturbed because we are not in the center. In the second place the attention gets into turmoil because we have desires. . . .

So whatever you desire, if you start working it out, desiring for something aesthetically hand made, nice thing gradually you will find you will end up with vibrations, because all beautiful things have vibrations, and to have the vibrations you have to go to pure Desire. So this desire which is madness, which makes you mad, which is so much dull and boring becomes pure Desire, because you have to dissolve all your desires into vibrations. You start desiring nothing but vibrations after some time."


Monday, April 2, 2012

Mandala gallery twelve




 Mandala gallery twelve





Tribal Mandala
Acrylic painting, 24,5 x 24,5 cm




Violet wheel Mandala
Acrylic painting, 29 x 29 cm




Red Mandala
Acrylic painting




Mandala gallery eleven


Sun Mandala
Acrylic painting, 21 x 21 cm



Third Chakra Mandala
Acrylic painting, 29 x 29 cm

 Mandala gallery eleven



Sunday, April 1, 2012

How to use Mandalas in meditation



Mandala Meditation

       
    

   The eastern practice of Mandala meditation has been used for centuries as an effective tool in calming the soul and clearing the mind of clutter. Mandala meditation is for the beginner and the long-time meditater alike. It may be of particular utility to those that have difficulty sitting still and being in the moment, as concentrating on an object helps to focus energy inside the present self. As in all meditation practices, there is no right or wrong way. Your practice should serve your particular needs and being overly concerned with rules defeats the original purpose of suspending the logical mind. The steps below are intended as an introduction to the practice of mandala meditation.



  Blue-violet Mandala
     
  

   First hang your mandala on a wall in a well lit spot where you can comfortably do your meditation practice. The center of the mandala should be at eye level and about two feet away from you when you are seated in front of it. You can also choose to place your mandala on an easel if you would like the option of mobility but you may find that the creation of a sacred space will help you to get in the desired frame of mind. In the eastern tradition, various objects, arranged according to principles of feng shui, have been used in meditation spaces. These typically include a balance of items with masculine of feminine qualities, flowers, incense and candles. Include any objects that have personal meaning to you or that you feel will help you to quiet your mind.

    Sit in a comfortable position. The lotus pose is ideal for meditation practice, as it is believed to bring the mind and body into harmony. To do, sit cross-legged with your spine straight. If you are doing this correctly, you should feel an imaginary line running straight from your tail bone up through your head. Shoulders should be relaxed but not rounded or hunched. Relax hands on your knees, palm side up. A pillow or folded blanket can be used to sit on, if desired. If the lotus position is painful, do not force yourself into it. As an alternative, you can sit on the edge of a chair, spine erect. Use whatever pose is comfortable, just so long as you maintain good posture. If you have difficulty keeping your spine straight, try sitting with your back against a wall.

    Close your eyes. Breathe in through the nose, letting the breath flow naturally up from the diaphragm, filling the lungs and spreading into the head before releasing out through the mouth. Take deep, even breaths, feeling the slowing rhythms of your body as you do so. Feel your body relax, let tension go. As thoughts arise or you become aware of physical distractions, simply acknowledge them and then let them go. Do not attempt to force thoughts from your head or feelings from your body. Accept them as part of the experience. Visualize the mandala and focus your energy into your heart until you can feel your energy flowing between your heart and the center of the mandala. Keep breathing and stay still and centered until you are ready to open your eyes.

    Gaze at your mandala with slightly unfocused eyes. Keep breathing, deeply and evenly, letting the oxygen flow in and the toxins flow out. Look deeply into the center of the mandala, trying to blink as little as possible. Don't focus on the details of the mandala, but just keep your sight right in the center and observe the image as a whole. Next, allow yourself to notice the various elements of the mandala. You may be attracted to certain images, patterns and colors. Let your thoughts come and go as you gaze.

    Focus your eyes and start visually exploring the mandala, beginning with the outer parts and moving inward toward the center. Go slowly, taking in as much as you can before moving on. The mandala holds the power of unity, healing, balance and wholeness. The center is where the crux of this power lies. Use whichever concept speaks to you as you focus intently on the center. Once again, explore the energy flow between the heart and the center of the mandala. Close your eyes and feel the harmony within. Allow yourself to feel whatever the mandala is sending to you. Open your eyes when you feel ready. Repeat your journey through the mandala once more, if you wish.





Spirit of flower Mandala

Saturday, March 31, 2012

Yantra Meditation



Yantra Meditation




As you look at the yantra, allow your eyes to focus on its center. This dot in the center is called the Bindu, which represents the unity that underlies all the diversity of the physical world.

Now allow your eyes to see the triangle that encloses the Bindu. The downward pointing triangle represents the feminine creative power, while the upward facing triangle represents male energy.

Allow your vision to expand to include the circles outside of the triangles. They represent the cycles of cosmic rhythms. The image of the circle embodies the notion that time has no beginning and no end. The farthest region of space and the innermost nucleus of an atom both pulsate with the same rhythmic energy of creation. That rhythm is within you and without you.

Bring your awareness to lotus petals outside the circle. Notice that they are pointing outwards, as if opening. They illustrate the unfolding of our understanding. The lotus also represents the heart, the seat of the Self. When the heart opens, understanding comes.

The square at the outside of the yantra represents the world of form, the material world that our senses show us, the illusion of separateness, of well defined edges and boundaries. At the periphery of the figure are four T-shaped portals, or gateways. Notice that they point toward the interior of the yantra, the inner spaces of life. They represent our earthly passage from the external and material to the internal and sacred.

Now take a moment to gaze into the yantra, letting the different shapes and patterns emerge naturally, allowing your eyes to be held loosely in focus. Gaze at the center of the yantra on the page. Without moving your eyes, gradually begin to expand your field of vision. Continue expanding your vision until you are taking in information from greater than 180 degrees. Notice that all this information was there all along, you just became aware of it. 

Now slowly reverse the process by re-focusing back to the center of the yantra. Now gently close your eyes. You may still see the yantra in your mind’s eye. The patterns of creativity represented by these primordial shapes express the fundamental forces of nature. They govern the world and they govern you.






Mandalas in Architecture




The Buddist stupa



In architecture the Buddhist stupa is the oldest and most prevalent form to reflect the structure and flow of the mandala. Stupas are a dome shaped structure designed to hold sacred relics.

You can also see the structural representation of a mandala in the construction of most cathedrals and churches of 12th century. These are structures build around a center point and include beautiful stained glass rose windows. These windows reflect a great spiritual presence. 






Friday, March 30, 2012

Mandalas in Nature



Mandala designs in nature can be found in something as simple as a flower. The flower has a center and surrounding that center are beautiful petals. The inside structure of a snail's shell is a spiral that twists into the center. Even the rings found inside tree trunks can be looked upon as a mandala, as each ring graduates toward the center. 

Our solar system can be considered a mandala form as each planet is part of and revolves around a center planet. For example the Milky Way galaxy our solar system holds within it our Earth.
Even microscopic cells each have a center or nucleus. The wholeness created in anything with a center that then radiates outward and inward is the basis of the mandala structure. 


Flower Mandala

Pink wheel Mandala




Pink wheel Mandala is an original acrylic painting with crystals. Size is 29 x 29 cm. It represents the wheel of transformation.

The wheel (Skt. chakra; Tib. 'khor lo) is one of the most important Buddhist symbols, as it represents the teachings of the Buddha. The Buddha was the one who "turned the wheel of the dharma" and thus the wheel symbol is the Dharmachakra, or "wheel of law." The Tibetan term for this symbol, chos kyi'khor lo, means "the wheel of transformation."

Pink wheel Mandala is available as a original painting, as a giclee print or as a poster. 

Mandala gallery nine


Thursday, March 29, 2012

The Sacred Art of Sand Mandala




 Sand Mandala




Mandala means literally “that which extracts the essence.” There are many different types of mandalas used by Tibetan Buddhists. They can be created in either two or three dimensions. On the tour the monks create two-dimensional sand mandalas. These are the most creative and labor-intensive, requiring incredible amounts of concentration.
Each sand mandala is a cosmic diagram that represents the dwelling place or celestial mansion of a deity. The Menla mandala, for example, represents the dwelling of the Medicine Buddha, who embodies the perfection of the physical and mental health of all beings. There are multi‑layered symbolic images throughout the ‘palace,’ where iconography, placement, and color all have significance. Additionally, to the learned Tibetan Buddhist monk, the mandala represents his vision of the entire universe.
According to Tibetan Buddhist history, the purpose, meaning and the techniques involved in the spiritual art of the sand mandala creation were taught by Buddha Sakyamuni in the 6th century B. C. in India.  Mandalas are created for rituals of initiation and for meditations; it is also created to purify the environment and its inhabitants to promote harmony in the world.
In the past, sand mandalas were made with the powdered results of the grinding of precious stones‑ turquoise, lapis lazuli, coral, powdered gold and silver, and many other cherished and priceless materials. Today white stones are ground and dyed with opaque water colors to produce the bright tones found in the sand paintings.
Depending upon the mandala, it can take between 3 days to 2 weeks to complete. Most of the ones created on the tour are completed in 3 to 5 days. Upon completion of the mandala there is a very special ritual to bless the mandala and it is then ritually dissolved. As a lesson in impermanence the blessed sand is swept up into a pile then small portions are offered to those present. The rest of the sand is taken to a body of water where, after a short ceremony, it is poured into the water to bless and purify the surrounding environment and all sentient beings living there.





Sand Mandala


 



Dragonfly dream Mandala




This is the Dragonfly dream Mandala, inspired with native Indian art. It is an original acrylic painting on paper with crystals, sizes 24,5 x 24,5 cm.


The dragonfly, in almost every part of the world symbolizes change and change in the perspective of self realization; and the kind of change that has its source in mental and emotional maturity and the understanding of the deeper meaning of life.
The traditional association of Dragonflies with water also gives rise to this meaning to this amazing insect. The Dragonfly’s scurrying flight across water represents an act of going beyond what’s on the surface and looking into the deeper implications and aspects of life.


Dragonfly dream Mandala is available as a original painting, as a giclee print or as a poster.

Mandala gallery eight

Wednesday, March 28, 2012

Mandala gallery ten


Purple flower Mandala
Acrylic painting, 29 x 29 cm



Sun flower Mandala
Acrylic painting, 24,4 x 24,5 cm

Mandala gallery ten


Mandala gallery nine





Green moon Mandala
Acrylic painting, 29 x 29 cm



Lace Mandala
Acrylic painting, 21 x 21 cm



Night lily Mandala
Acrylic painting, 29 x 29 cm



Pink wheel Mandala
Acrylic painting, 29 x 29 cm


Mandala gallery nine


Mandala gallery eight






Dragonfly dream Mandala
Acrylic painting, 24,5 x 24,5 cm



Ethno Mandala
Acrylic painting, 29 x 29 cm



Green dream Mandala
Acrylic painting


Mandala gallery eight



Mandala gallery seven


Abstract lotus Mandala
Acrylic painting, 29 x 29cm



Amethyst Mandala
Acrylic painting



Aurora Borealis Mandala
Acrylic painting, 29 x 29 cm


Blue dream Mandala
Acrylic painting

Mandala gallery seven



How Mandalas Heal



Healing Mandala




   According to Buddhist scripture, sand mandalas transmit positive energies to the environment and to the people who view them. While constructing a mandala, Buddhist monks chant and meditate to invoke the divine energies of the deities residing within the mandala. The monks then ask for the deities' healing blessings. A mandala's healing power extends to the whole world even before it is swept up and dispersed into flowing water—a further expression of sharing the mandala's blessings with all. 





 Sand Mandala


Third Chakra - Manipura Chakra



Manipura Chakra



  
 Earth, water, fire. With our bodies grounded and our emotions flowing, we now move on to power, energy and will. This is our third chakra, a yellow lotus of ten petals, located at the solar plexus—the place where we get those butterfly feelings when we feel scared or powerless. Its element is fire—fire—that radiates and transforms matter into energy, giving light and warmth. This chakra represents our "get up and go," our action, our will, our vitality, and our sense of personal power. Its name, Manipura, means "lustrous gem." We can think of it as a glowing yellow Sun, radiating through the center of our body. On the physical plane, the third chakra rules metabolism, the process whereby we turn food (matter) into energy and action. Digestion troubles, stomach troubles, hypoglycemia, diabetes, ulcers, or addictions to stimulants (such as caffeine) are all related to malfunctioning of the third chakra. Weight problems may also be an indication that the body is not properly turning its matter into energy. We can also assess the health of this chakra by examining our body structure at this level: tight, hard stomachs, sunken diaphragms, or large potbellies are all indications of third chakra excess or deficiency. Examining your relationship to the properties of fire can give further clues to the nature of your third chakra. Are you frequently cold, physically or emotionally? Do you get overheated, hot-tempered? Is your style quick and energetic, or slow and lethargic? When the third chakra is closed down, one may feel tired, afraid, shaky, quiet, or withdrawn. There is a fear of taking risks, confronting people or issues, taking charge, and with all this, a lack of energy. There may be too much seriousness and not enough laughter, ease, or fun, all of which help the third chakra open and relax. Pleasure, from the chakra below, helps make the fire warm and easy; without it, our fires are cold and hard. If the chakra is too open, then we have a kind of bully archetype—someone who always needs to be in control, to dominate, to seek power, prestige, ambition. As the lower chakras in general are more ego-oriented, third chakra excess can make a person narcissistic or self-centered. An appropriate concept for a healthy balance in this chakra is the archetype of the warrior—standing strong, staying in touch with feelings, confronting only when appropriate and quietly maintaining a sense of power. A healthy third chakra can take on a task and complete it, take on a risk and not be bound by perfectionism, or act in the role of leadership without domination or self-aggrandizement. In the second chakra we encountered desire. Desire is the fuel for the will, the passion within our body giving strength to decisions made by the mind. Fire is the spark of life that ignites will to action. Fire is the spark that lies between the poles, and the third chakra creates power by combining the polarity introduced by the second chakra, just as electricity is made by the combination of polarities. Having made yet another step toward consciousness, we now temper our desires and instincts with knowledge, making decisions that are then put into action, again combining the poles of mind and body. Power, then, is seen as an act of combination, of joining together parts to make a greater whole. When we embrace and combine all the parts within us—our bodies, our emotions, our visions, our knowledge—then we emerge whole and powerful. A good rule of thumb for stimulating the third chakra is to get your energy moving. Jogging, yelling, or pounding a pillow can help you loosen up.




Manipura Chakra Mandala


Tuesday, December 13, 2011

Mooladhara Chakra




 The first Chakra



 "The first chakra is situated below the sacrum bone in which resides the Kundalini, and its main aspect is the innocence. Innocence is the quality by which we experience pure, childlike joy, without the limitations of prejudice or conditionings. Innocence gives us dignity, balance, and a tremendous sense of direction and purpose in life."


Mooladhara Chakra Mandala



"The first centre is called the Mooladhara centre. It has four petals (sub-plexuses), is placed below the triangular bone, and is responsible on the physical level of the manifestation of the pelvic plexus which looks after all our excretion, inclusive of sex activity. When the Kundalini rises, then this centre becomes inactive in the excretion functions but active in the support of the rising of the Kundalini. Though the Kundalini has to rise through six centres, the first centre of Mooladhara protects the purity of chastity of the Kundalini at the time of its awakening."
"Before human beings were created, before the Earth and sky, long before the sun, the moon, and the galaxies, I filled everything with holiness and innocence. Single-handedly the Mother Holy Spirit, Adi Shakti, created Me first to guard and protect Her everywhere. My total surrender to Her and My exclusive alliance to Her can remove any obstacle. In your body I am innocence, wisdom and spontaneity. I am the sanctity of the marriage union and the blessing of saintly children. When Kundalini awakens My presence in you, you regain your lost innocence. She overcomes all of His enemies outside, as well as those within your being. I am the Everlasting Child and the sparkles of My innocence radiate the universe in a constant flow of bliss." 


Thursday, September 29, 2011

Mandala gallery six





Second Chakra Mandala
This Mandala expresses Second Chakra. It is related  to element water and emotions. Acrylic on paper.
29 x 29 cm


Garden of silence Mandala
Acrylic on paper.


First Chakra Mandala
Expresses First Chakra or Muladhara. This Chakra forms our foundation. Acrylic painting. 
29 x 29 cm


Mystical flower Mandala 
Acrylic on paper.

Mandala gallery six


Mandala gallery five

 Green flower Mandala
Green color relates to love. Acrylic on paper.


Pink flower Mandala
Acrylic on paper. 
21 x 21 cm

 
Violet water Zendala
Inspired with amethyst crystal and water. This Zendala is an acrylic painting.
29 x 29 cm


 Gaudy flower Mandala 
Acrylic on paper. Flower is parable for inner harmony. 

Mandala gallery five


Mandala gallery four





Blue Mandala
Blue Mandala is an acrylic painting.


 

Orange flower Mandala
Orange governs the Sacral Chakra situated in the lower abdomen. Acrylic on paper. 

Mandala gallery four

Wednesday, September 28, 2011

Mandala gallery three






Lavander Mandala
This Mandala is an acrylic painting. Inspired with lavanda flower.
21 x 21 cm



Golden wheel Mandala
Acrylic on paper. 
29 x 29 cm

Mandala gallery three


Mandala gallery two






Rainbow Mandala
Rainbow Mandala is my first Mandala. It is an acrylic painting. Rainbow is a symbol of heavenly glory and of celestial wonder. It serve as a bridge between earth and paradise.
30 x 30 cm



Night Mandala 
Acrylic on paper. Night Mandala is connected with dreams, intuition and imagination.
21 x 21 cm


Mandala gallery two


Mandala gallery one


Sweety Mandala
Sweety Mandala is an acrylic painting.



Bright Star Mandala
This Mandala is an acrylic painting representing one very bright Star in our galaxy. Star is symbol of hope, intuition and belief. 
24.5 x 24.5 cm



Violet orange Mandala
Acrylic painting on paper. Violet relates to spiritual awareness and orange relates to self respect.


    
Blue flower Mandala
This Mandala is an acrylic painting. Blue is the color of Spirit.

Mandala gallery one